Monolithic IMPASTO, where structure becomes the work itself.

This painting belongs to the Monolithic Squares series—works whose primary virtue lies in the absolute irreproducibility of their structure. Through linseed oil, the surface layer has achieved exceptional plasticity and an organic texture reminiscent of skin.

Each monolith is an original in its purest form. No two surfaces are identical. The structure lives its own life—transforms in light, reveals depth, creates shadows.